contents









Joel Felix . . . . . . . . . . . . . . .Introduction

Harry Mathews . . . . . . . . . . . . . . . Oulipo poetics and the art of translation

Stephanie Strickland. . . . . . . . . . . . on the translation of poetry from print to screen

Issa Clubb. . . . . . . . . . .on the ghost in the machine: the font as spiritual medium in CD-ROM poetry design

Chris Funkhouser. . . . . . . . . . .a conversation with Pierre Joris and Jerome Rothenberg on the technology and politics of the millenial anthology

John Cayley . . . . . . . . . . . . . a major cyber (hyper) text reading through Copeland, Gibson, and Christopher Dewdney, with breaks for speculation on form and opacity. Is there a manifesto buried in here? You decide

Eduardo Kac . . . . . . . . . . . . . . . . . . . . . . on holographic poetry

Robert Kendall. . . . . . . . . . . . . . on the present and future of hypertext poetics

Wendy Battin . . . . . . . . . . . a performative show and tell at the interface of poetry and html

Julia Stein . . . . . . . . . . . Poets Take On Guess Inc.: Poets Win

Alan Shaw. . . . . . double feature: the poetics of composer Harry Partch and the musicality of greek prosody

Joe Amato. . . . . . . from Zukofsky's "A" to Powers' Goldbug Variations, in search of a social ecology of the self-discursive text






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