Emily Dickinson also refused to commit her work to print convention. She refused to title more than 1700 poems, and she evolved singular methods of both production and punctuation. But her most radical innovation, extraordinary still, was the hyperlink experience she provided in many of her poems. She placed a superscript cross (as we would place a footnote marker) to indicate words, or places, where she wished the reader to consider a range of choices. The choices she wanted to present were inscribed across the bottom of her page. These cross - or crossroads - markers are not signs of preliminary indecision; they are, carefully copied on pages that are carefully sewn together, endorsements of multiple meaning.