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1 Eric Hobsbawm. The Age of Extremes: A History of the World, 1914-1991. (New York: Pantheon, 1994) 16

2 Susan Stewart. On Longing; Narratives of the Miniature, the Gigantic, the Souvenir, the Collection. (London: Duke University Press, 1993) 138

3 Walter Benjamin. "The Work of Art in the Age of Mechanical Reproduction," Illuminations. ed by Hannah Arendt, trans by Harry Zohn. (New York: Schocken Books, 1968) 221. "Since the historical testimony rests on the authenticity, the former, too, is jeopardized by the reproduction when substantive duration ceases to matter. And what is really jeopardized when the historical testimony is affected is the authority of the object. One might subsume the eliminated element in the term ‘aura’ and go on to say: that which withers in the age of mechanical reproduction is the aura of the work of art."

4 Sylvia Harvey. May ’68 and Film Culture. (London: BFI Publishing, 1980) 31

5 Celeste Olalquiaga. Megalopolis: Contemporary Cultural Sensibilities. (Minneapolis: University of Minnesota Press, 1992) 62

6 Eric L. Santner. Stranded Objects: Mourning, Memory, and Film in Postwar Germany. (Ithaca: Cornell University Press, ) 8-9

7 Maurice Blanchot. The Writing of the Disaster. (Lincoln: University of Nebraska Press, 1986) 60

8 Olalquiaga. Megalopolis, 62

9 Fra Angelico (Guido di Pietro). The Annunciation. c1441-3. Museo di San Marco, Florence.

10 Simon J. Williams. "Emotions, Cyberspace and the ‘Virtual’ Body; A Critical Appraisal," Emotions in Social Life: Critical Themes and Contemporary Issues. ed. by Gillian Benelow and Simon J. Williams. (London: Routledge, 1998) 126

11 Williams, "Emotions, Cyberspace and the ‘Virtual’ Body," 130

12 Andre Bazin. What is Cinema? trans. by Hugh Gray (Berkeley: University of California Press, 1967) 12-14

13 Jean Baudrillard. In the Shadow of the Silent Majority. (New York: Semiotext(e), 1983) 102-3

14 Maurice Blanchot, The Writing of the Disaster, 99.

15 Moby Dick (John Huston, 1956)

16 Martin Connors and Jim Craddock, eds. Videohound’s Golden Movie Retriever, 1997. (Detroit: Visible Ink, 1997) 1001

17 Jean Baudrillard. Simulations. (New York: Semiotext(e), 1983) 18

18 Alain Robbe-Grillet. For a New Novel. (Evanston: Northwestern University Press, 1989) 10

19 Stendhal. Charterhouse of Parma. trans. by Margaret Shaw. (London: Penguin Books, 1958) 488