Michal Sapir
Cryptography in Artificial Light:
Poe's Stories and Nadar's Stills

WORKS CITED

Ariès, Philippe. The Hour of Our Death. Trans. Helen 
Weaver. 1981. New York: Oxford UP, 1991.

Barthes, Roland. Camera Lucida: Reflections on 
Photography. Trans. Richard Howard. New York: Noonday, 
1981.

Blanchot, Maurice. "Orpheus's Gaze." The Space of 
Literature. Trans. Ann Smock. 1955. Lincoln: U of Nebraska 
P, 1982.171-76.

Ginzburg, Carlo. "Morelli, Freud, and Sherlock Holmes: 
Clues and Scientific Method." The Sign of Three: Dupin, 
Holmes, Peirce. Eds. Umberto Eco and Thomas A. Sebeok. 
Bloomington: Indiana UP, 1988. 81-118.

Gosling, Nigel. Nadar. London: Secker & Warburg, 1976.

Kittler, Friedrich. "Gramophone, Film, Typewriter." 
October 41 (1987): 101-18.

Krauss, Rosalind. "Tracing Nadar." October 5 (1978): 29-47.

Nadar. Quand j'étais photographe. 1900. Pref. and notes 
Jean-François Bory. Paris: Seuil 1994.

Nochlin, Linda. "Death in the Mid-Nineteenth Century." 
Realism. Style and Civilization. Harmondsworth: Penguin, 
1971. 57-101.

Poe, Edgar Allan. "A Few Words on Secret Writing." 
Essays and Miscellanies. Ed. James A. Harrison. 2nd ed. 
New York: AMS P, 1979. 114-149.

---. Complete Tales and Poems. New York: Vintage, 1975.

---. Selected Tales. Ed. Julian Symons. Oxford: Oxford UP, 1980.

Rosenheim, Shawn. "The King of 'Secret Readers': Edgar 
Poe, Cryptography, and the Origins of the Detective 
Story." ELH 6 (1989): 375-400.

Talbot, William Henry Fox. The Pencil of Nature. A 
facsimile of the 1844-1846 edition. New York: Da Capo, 1969.

Williams, Rosalind. Notes on the Underground: An Essay 
on Technology, Society, and the Imagination. Cambridge, 
MA: MIT P, 1990.